| Fiction | |
| David Sanders | Nothing Matters |
| James Mathews |
You Have to Want It |
| Nance Van Winckel | Never the Face |
| John Vanderslice | Easy Prey |
|
Poetry |
|
| David Adams | Death Day |
| Jason Stumpf | Mark Rothko |
| Nightmusic | |
| Wayne Miller | The Tightrope Walker |
| The Dream Maker | |
| Mary Ruefle | Brief Candle |
| Lines Written on a Blank Space | |
| Don Welch | The Gale |
| Mark Halliday | The Lyric I |
| Rhiannon Dickerson | The Slow Pull Under |
| Amy Newman | To lose one’s chastity. Used especially of a woman. |
| Eric Schwerer | Pavilion #7 |
| Christina Veladota | You’re Reading This and You’re Sure You’re Alive |
| Cassie Sparkman | Flood |
| Amy McCann | Between the Wedding and What Comes After |
| Kate Wells | Fall Yard Work with an Ordinary Friend |
| John Sackreiter | Midwestern |
| Doug Sanders | Nebraska |
| Apollo and Daphne | |
| William Kloefkorn | Moving Away |
| Sarah Steinke | Sitting Across from Picasso’s Nude |
| Ray Gonzalez | Dead Monarchs, Knife River, Minnesota |
| Richard Lehnert | To the Close Enough |
| Ellen Dudley | Loihi |
| Scott Topper | The Market as a Child |
| Johnny Horton | Against Speaking |
| What I Wouldn’t Say to the Son I Never Had | |
| Laurie Blauner | The Hit Man’s Description of His Gun |
| Diana Marie Delgado | Correspondence |
| Dan Kaplan | Understudy |
|
Essay |
|
| Fleda Brown | Summer House |
|
Review |
|
| Philip Terman | Saying the Unsayable: on Li-Young Lee and David Swerdlow |
| Peter Makuck | Forms of Praise: on Brendan Galvin |